Heavenly perspectives, mirrors of eternity: Thomas Traherne's yearning subject.(Critical Essay)

From: Criticism | Date: September 22, 2001| Author: Johnston, Carol Ann | Copyright information

[Holy Days] are Heavenly perspectives wherin we behold the Mystery of Ages, Mirrors of Eternity wherin we feed upon Revelations and Miracles.

--Thomas Traherne, "Book of Private Devotions"

   Before, Behind, and evry where, Faith is, 
   Or sees, the very Masterpiece of Bliss. 
   All Its Materials are a Living Tomb 
   Of Glory, striking the Spectator dumb 
   And there our GOD is seen in Perspective 
   As if he were a BODY and alive. 

--Thomas Tra...

Related newspaper, magazine, and journal articles from HighBeam Research

A Poet Comes Home: Thomas Traherne, Theologian in a New Century
Anglican Theological Review ; Thomas Traherne, the seventeenth-century Anglican priest and poet best known for his writings on early childhood innocence and the glory of creation, was a nature-loving mystic and an inveterate optimist. Often discussed as a metaphysical poet, a mystic, even as a heretic, he has rarely been taken
Pop stars, politicians, & philosophers. (lesson on painting figures in perspective)(Cover Story)
School Arts ; Perspective requires an understanding of principles, such as vanishing points, horizon lines, ellipses, and short and long axes. So, how do you teach the idea of linear perspective to young students without burdening them with a lot of jargon and theory? I have devised a lesson in which my students
Why linear perspective? Inspired by Patrick Caulfield.(Brief Article)
School Arts ; During my student teaching assignment, my cooperative teacher suggested incorporating the use of linear perspective into a lesson for the ninth-grade Art 1 classes. The students were completing a study of the Italian Renaissance and investigating the revolutionary art innovations of that period. As
The Works of Thomas Traherne. Volume 2: Commentaries of Heaven 1: Abhorrence to Alone/The Works of Thomas Traherne. Volume 3: Commentaries of Heaven 2: Al-Sufficient to Bastard
Anglican and Episcopal History ; The Works of Thomas Traherne. Volume 2: Commentaries of Heaven 1: Abhorrence to Alone. Edited by Jan Ross. (Rochester, New York: Boydell & Brewer, 2007, Pp. xlii, 536, $145.00.) The Works of Thomas Traherne. Volume 3: Commentaries of Heaven 2: Al-Sufficient to Bastard. Edited by Jan Ross.
THE RENAISSANCE MIND MIRRORED IN ART.
World and I ; This article aims to outline some basic changes in worldview that took place during the Renaissance--a movement and an era of awakening that turned from the medieval order and laid the basis for Western civilization up to the present. Today, when the Renaissance is mentioned, what springs to most
The Works of Thomas Traherne, Volume I
Anglican and Episcopal History ; JAN Ross, ED. The Works of Thomas Traherne, Volume I. Woodbridge, Suffolk, England: D. S. Brewer, 2005. Pp. xxiv + 571, including introduction, textual emendations, appendix, glossary. $150.00. The content of this volume of the works Thomas Traherne (1637?-1674) is four prose treatises, including
Science in the art of the Italian Renaissance I: Ghiberti's Gates of Paradise--linear perspective and space. (1) (Research Report).(Lorenzo Ghiberti)
The Ohio Journal of Science ; ABSTRACT. As with the works of a number of Italian Renaissance artists, Lorenzo Ghiberti's art contained scientific elements. In his case both his training as a goldsmith, which introduced him to concepts of mineralogy, and his knowledge and use of techniques in the realm of the science of optics
Dickson, Lisa. "The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene ".(Edmund Spenser)
Early Modern Literary Studies ; The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene Lisa Dickson University of North British Columbia dicksonl@unbc.ca Dickson, Lisa. The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene . Early Modern Literary Studies 12.2 (September, 2006) 1.1-31
The linear perspective information in ground surface representation and distance judgment
Perception and Psychophysics ; Most ground surfaces contain various types of texture gradient information that serve as depth cues for space perception. We investigated how linear perspective, a type of texture gradient information on the ground, affects judged absolute distance and eye level. Phosphorescent elements were used
An abstracted vision
Southwest Art ; EDITOR'S LETTER Over the past few months I've been reading, intermittently, from The Creators, an 800-- page book by historian and Pulitzer Prize-- winner Daniel Boorstin. Boorstin begins the chapter titled "Vistas from a Restless Self" with a compelling summary of traditions in two-- dimensional