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Plunging (outside of) history: naming and self-possession in Invisible Man.(Critical Essay)
African American Review
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June 22, 2002|
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COPYRIGHT 2002 African American Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.
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Prologue
In several interviews, Ralph Ellison joins many of his readers in resolving Invisible Man into a declaration of coherent identity. Effectively interpreting Invisible Man as a modem Bildungsroman, Ellison says: "In my novel the narrator's development is one through blackness to light; that is, from ignorance to enlightenment: invisibility to visibility" (Graham and Singh 12); "It's a novel about innocence and human error, a struggle through illusion to reality" (14); "Whatever [Invisible Man] did when he returns ...should be based on the knowledge gained ...
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