|
Idol chat: the films of Andy Warhol.(Bruce Hainley)(Interview)
From:
Artforum International
| Date:
June 22, 2002| Author:
Koestenbaum, Wayne
| COPYRIGHT 2002 Artforum International Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
|
WAYNE KOESTENBAUM TALKS WITH BRUCE HAINLEY
FOR YEARS BRUCE HAINLEY AND I have been antically conversing about literature, theory, art, film, porn, fashion, food, and Andy Warhol. Hainley, a contributing editor of Artforum (his beat is LA), is one of my favorite writers, and his sensibility has had a huge influence on my work: I count on him to be the first to notice and valorize (to understand the profundity of) any aesthetic manifestation that channels the strange, the ...
Related newspaper, magazine, and journal articles from HighBeam Research
|
I Am a Camera.(three books about Andy Warhol)(Review)
Art Journal
; ... chosen to demonstrate Binstock's thesis, are indeed notable for their provocative social subject matter, whether race riots, maps of nuclear missile bases, or portraits of the Shah of Iran, Elvis, Mao, the American Indian, or O.J. Essays by Maurice Berger ...
|
|
Why Warhol now? Reframing the Supernova.(Andy Warhol's exhibition)
Afterimage
; Given the apocalyptic title Andy Warhol/Supernova: Stars, Deaths and Disasters, 1962-1964, the exhibition was a tightly focused selection of Warhol's silkscreen paintings and films from a pivotal period in his career when he was developing his screened serial technique, linking the themes of
|
|
Warhol.
The Nation
; WARHOL. By David Bourdon. Abrams. 432 pp. $49.5a Andy Warhol, who died almost exactly three years ago, may be the best-known artist in the world: People who cannot name a painting by Picasso know that Warhol is the guy who did the Campbell's Soup cans. And though interest in him has declined since
|
|
One-dimensional man.(a review of books on Andy Warhol)
Art Journal
; Branden W. Joseph What type of people buy your paintings? You're not supposed to talk about that. Let's just talk about boots and Chinese food. - Student reporter and Andy Warhol, 1966 Warhol studies can plausibly be said to have begun in 1970, the year in which the first two scholarly monographs
|
|
Andy Warhol Prints: A Catalogue Raisonne, 1962-1987, 3d ed.(Review)
Art Journal
; Frayda Feldman and Jorg Schellmann. 3rd ed, rev and expanded by Feldman and Claudia Defendi. New York: D.A.P./Distributed Art Publishers in association with Ronald Feldman Fine Arts, Inc., Edition Schellmann, and the Andy Warhol Foundation for the Visual Arts, Inc., 1997. With essays by Arthur C.
|
|
The Warhol Look: Glamour, Style, Fashion.(Review)
Art Journal
; Mark Francis and Margery King, eds. Exh. cat. Pittsburgh: The Andy Warhol Museum and Boston: Bulfinch Press, 1997. Essays by Hilton Als, Francis and King, Judith Goldman, Bruce Hainley, Richard Martin, Glenn O'Brien, Barry Paris, John W. Smith, Thomas Sokolowski, and Peter Wollen. 304 pp., 650
|
|
The Work of Andy Warhol.
The Nation
; THE WORK OF ANDY WARHOL. Dia Art Foundation Discussions in Contemporary Culture, Number 3. Edited by Gary Garrels. Bay Press. 196pp. 10.95. Andy Warhol, who died almost exactly three years ago, may be the best-known artist in the world: People who cannot name a painting by Picasso know that Warhol
|
|
The Religious Art of Andy Warhol.(Review)
Art in America
; The Religious Art of Andy Warhol, by Jane Daggett Dillenberger, New York, Continuum, 1998; 128 pages, $39.95. Who was Andy Warhol? Common wisdom styles him the great leveler, a fright-wigged cynic endlessly recycling the cliches of American popular culture with a postmodernist disregard for value
|
|
Double feature. (collaborative paintings, Andy Warhol, Jean-Michel Basquiat, traveling exhibition)(Cover Story)
Art in America
; Andy Warhol believed that every decade comes into sharper focus at its midpoint. In August 1984, he expected the new fau season to be the critical turning point of the '80s - when the people from the first five years will either become part of the future or part of the past. (1) He had had a
|
|
White-on-white: The overbearing whiteness of Warhol being.(Andy Warhol)
Art Journal
; Vacant, vacuous Hollywood was everything I ever wanted to mold my life into. Plastic. White-on-white. --Andy Warhol and Pat Hackett, Popism Elvis was a hero to most, But he never meant shit to me 'cause he was straight up racist, The sucker was simple and plain, Motherfuck him and John Wayne.
|