|
Framing the Gothic: From Pillar to Post-Structuralism.
College Literature
|
September 22, 2001|
|
COPYRIGHT 2001 West Chester University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.
(Hide copyright information)
Copyright
|
The low throb of a bass guitar pounded from giant speakers from somewhere inside: the Rolling Stones' Sympathy for the Devil. Mick Jagger's ragged voice growled out the song's familiar refrain as Derek turned off the street onto the long driveway that looped around in front of the house. Beyond the row of parked cars, a half dozen motorcycles were lined up on the grass. A couple of women in long dresses sat on the damp front lawn, sharing a pipe.
The house itself was an architectural monstrosity, more Gothic manse than the Victorian manor it pretended to be. Whoever ...
Find more facts and information related to the
article "Framing the Gothic: From Pillar to ..."