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Monchito Muñoz: percussionist.(Entrevista)
Latin Beat Magazine
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December 1, 2000|
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COPYRIGHT 2000 Latin Beat Magazine. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.
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New York City's Latin music (son, guaracha, rumba) aficionados of the 1930s began their appreciation of Latin music percussionists at the beginning of the 1940s when Chino (not Chano) Pozo came on the scene. Pozo, born in Havana April 10, 1915, arrived in New York City in 1937.
Since then he had performed on bongó, conga and timbal for the orchestras of Machito, Jack Cole Dance Troupe, José Curbelo, Noro Morales, Tito Puente, Tito RodrÃguez, Enric Madriguera, Pérez Prado, Stan Kenton, Herbie Mann, Xavier Cugat, René Touzet and Billy Taylor. During the '40s, his ...
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Joshua and the Rhetoric of Violence: A New Historicist Analysis
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; ...following are also within Benjamin: Beth-aven, Luz (or Bethel), Kiriath-baal (or Kiriathjearim), Beth-arabah, Beeroth, and Jebus (or Jerusalem). The story of Achan also hints strongly of connection with Benjamin. He took booty at Ai, which...
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CLIPS OF THE MONTH
Magazine article from: Modern Drummer : MD
; ...Minnemann's solo isn't his most complex, but it's super-musical and thematically solid. 5. "John Zorn / Masada - Beeroth" Call this a drum solo with a song built around it. Here is the ebullient Joey Baron giving his tiny Sonor kit a righteous...
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