The Language of Framing.

Shakespeare Studies | January 1, 2000| | Copyright

AT THE END OF JOHN LYLY'S 1580 prose narrative, Euphues and His England, there is an epistolary exchange containing Euphues' Glass for Europe, a description of England addressed to the ladies of Italy. Protesting that he could not possibly do justice to the glory of Elizabeth, Lyly says that the Glass is a frame rather than a painting: "I hope, that though it be not requisite that any should paynt their Prince in England, that can-not sufficiently perfect hir, yet it shall not be thought rashness or rudeness for Euphues, to frame a table for Elizabeth, though he presume not ...

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