From: Commonweal | Date: June 16, 2000| Author: | Copyright information

Science has escaped from its ghetto, at least here in Manhattan, where laboratory-minted ideas and images are gaining ever wider currency. The theater scene, in particular, has been awash in theorems. Off Broadway, no fewer than three new dramas about mathematics opened in April and May, while the ambitious Ensemble Studio Theater was wheeling through its second season devoted to drama about science. On Broadway, audiences were flocking to Michael Frayn's Copenhagen, about the German physicist Werner Heisenberg and his "uncertainty principle."

Heisenberg (1901-76) is not ...