THE TRANSLATION OF RHYTHM INTO PITCH IN STOCKHAUSEN'S KLAVIERSTUCK XI.(musical composer Karlheinz Stockhausen)(Critical Essay)

From: Perspectives of New Music | Date: January 1, 1998| Author: TRUELOVE, STEPHEN | Copyright information

The musical structure of Karlheinz Stockhausen's "Klavierstuck XI" is examined. Topics include its open form, sketched matrices, pointillist and statistical perceptions of time, and the unifying forces between rhythm and pitch.

KARLHEINZ STOCKHAUSEN'S Klavierstuck XI has the unique distinction of being one of the most often discussed yet least-well-understood compositions of the twentieth century. It is celebrated for its "open form," in which the nineteen component fragments ma...

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