In Broadway's My Fair Lady, that master lyricist Alan Jay Lerner posed the highly pertinent Shavian question: "Why don't the English teach their children how to speak?" Now perhaps I might ask a rather similar and, I think, equally pertinent question: "Why doesn't the dance world teach its children how to act?" After all, most actors learn something--occasionally quite a lot--about dancing, but acting or, more specifically, mime is in the curricula of extraordinarily few dance ...