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Lorenzo Lotto.(Review)
From:
The Art Bulletin
| Date:
December 1, 1998| Author:
Nagel, Alexander
| COPYRIGHT 1998 College Art Association. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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Paris: Adam Biro, 1996. 208 pp.; 118 color ills., 2 b/w. $55.00
The Lorenzo Lotto exhibition that opened in November 1997 in the National Gallery of Art in Washington, D.C., and that traveled to Bergamo and Paris in 1998, hailed Lorenzo Lotto as a "rediscovered master of the Renaissance." Lotto certainly has a long way to go in achieving recognition among the general populace, but among Renaissance scholars he has for some time been appreciated as one of the most engagin...
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; Unlucky Lorenzo Lotto. He painted like an angel, yet he keeps being forgotten. The unfortunate Venetian made some of the most honest portraits of the Renaissance, was quirkily original and fabulous with color, but none of this has helped him; he keeps slipping through the cracks. "Lorenzo Lotto:
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Lorenzo Lotto.(Review)
The Art Bulletin
; Paris: Adam Biro, 1996. 208 pp.; 118 color ills., 2 b/w. $55.00 The Lorenzo Lotto exhibition that opened in November 1997 in the National Gallery of Art in Washington, D.C., and that traveled to Bergamo and Paris in 1998, hailed Lorenzo Lotto as a rediscovered master of the Renaissance. Lotto
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Lorenzo Lotto: Rediscovered Master of the Renaissance.(Review)
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; New Haven: Yale University Press, 1997. 272 pp.; 80 color ills., 100 b/w. $55.00 The Lorenzo Lotto exhibition that opened in November 1997 in the National Gallery of Art in Washington, D.C., and that traveled to Bergamo and Paris in 1998, hailed Lorenzo Lotto as a rediscovered master of the
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Lorenzo Lotto e l'Immaginario Alchemico: Le "imprese" nelle tarsie del coro della basilica di Santa Maria Maggiore in Bergamo.(Review)
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; Clusone: Ferrari, 1997. 210 pp.; 45 color ills., 40 b/w. 60,000 lire The Lorenzo Lotto exhibition that opened in November 1997 in the National Gallery of Art in Washington, D.C., and that traveled to Bergamo and Paris in 1998, hailed Lorenzo Lotto as a rediscovered master of the Renaissance. Lotto
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Lorenzo Lotto: peripatetic master.
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; A traveling exhibition surveys the career of Lorenzo Lotto, an itinerant Venetian painter of religious scenes and portraits, who infused his traditional subjects with an expenssive directness and individuality of interpretation that speak to a modern sensibility. The National Gallery in Washington,
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Lorenzo Lotto in Washington.
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; In the spring of 1993, the most discussed, most not-to-be-missed exhibition in Paris was an extravaganza at the Grand Palais, The Century of Titian: The Golden Age of Painting in Venice. It was a glorious assembly of pictures not only by Titian, but by his predecessors, contemporaries, colleagues,
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Lotto's Renaissance works speak to the modern age.(Arts)(Art)
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; ... A very young Virgin, dressed in vibrant red, turns away from the angel, her hands held up as if in fear. The angel gives the news with a sharply raised right arm. God, also in red, travels on a cloud overhead, pointing down emphatically, as if to say, Yes ...
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Lorenzo Lotto: Italy's Journeyman Genius
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; Italian Renaissance painter Lorenzo Lotto was born in Venice in 1480, or maybe a year or two later. We don't know for sure. As punctilious as he was about recording dates, prices and the little outrages visited upon him, Lotto was casual about basic facts. We have an idea of his age only because he
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Lotto's Lucretia.(Review)
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; "Are those human feet It was February 1994, a meeting of the National Gallery of Art's exhibition committee, one of the regular sessions at which future shows are decided. The trustees' boardroom high up in the East Building was hushed except for the click and whir of the slide projector and the
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