From: The New Leader | Date: October 21, 1985| Author: | Copyright information

HAPPILY, The return of Tadeusz Kantor's Polish company, Cricot 2, for a limited stay at Ellen Stewart's La Mama saved the much misused term "avant-garde" from becoming utterly meaningless--or abhorrent--in the theater this season. Born in Cracow and faithful to its hometown, although probably more at home now in Italy, Germany or France, the superb ensemble gave us a little surrealist masterpiece called Wielopole Wielpole three years ago. The English title of the recent work, first shown in Nuremberg as an homage to a 15th-century sculptor, is Let the Artists die.

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