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George Herms and James Fee at Craig Krull.(Santa Monica, California)(Review of Exhibitions)(Brief Article)
From:
Art in America
| Date:
September 1, 1998| Author:
Duncan, Michael
| COPYRIGHT 1998 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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Copacetic collaborations require a special meshing of artistic egos, so that similarities interweave and quirks mingle. Sculptor George Herms and photographer James Fee both value the patinas of obsolescent materials. The rusted pieces of scrap metal, machine parts and weathered wood fragments that make up Herms's well-known assemblages might easily have been found in the ruined factories and abandoned ships that Fee has photographed in the last decade. Sharing a fascination with the ...
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George Herms and James Fee at Craig Krull.(Santa Monica, California)(Review of Exhibitions)(Brief Article)
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; Copacetic collaborations require a special meshing of artistic egos, so that similarities interweave and quirks mingle. Sculptor George Herms and photographer James Fee both value the patinas of obsolescent materials. The rusted pieces of scrap metal, machine parts and weathered wood fragments that
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George Herms: Santa Monica Museum of Art.
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ASK THE GLOBE
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; Q. Is the Sargasso Sea in the Atlantic Ocean really a sea of lost and abandoned ships, or is that just a myth? A.E., Boston A. It's a myth. According to the World Book Encyclopedia, early European navigators were amazed by the dense patches of gulfweed that seemed to form wide-spreading meadows on
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