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Robert Sterling as a collector of Homer. (painter Winslow Homer)(Sterling and Francine Clark Art Institute)
From:
The Magazine Antiques
| Date:
October 1, 1997| Author:
Kelly, Franklin
| COPYRIGHT 1997 Brant Publications, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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Painter Winslow Homer's works represents the Sterling and Francine Clark Art Institute's largest collection of paintings by a single artist. Among Homer's finest creations included in the institute's collection are 'An October Day,' 'Undertow,' 'Two Guides' and 'West Point, Prout's Neck'.
Robert Sterling Clark's tastes embraced many different periods and artists, but in only a few instances did he acquire more than one or two examples by a particular artist. There is Pierre Auguste ...
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'Driftwood', Winslow Homer's final painting.
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; The Museum of Fine Arts, Boston, recently acquired Winslow Homer's last work, Driftwood (Pl. I), a renowned painting that has long been admired. It was described and illustrated in William Howe Downes's 1911 monograph devoted to the artist, and it has been discussed in some four dozen other books,
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 "USA Today (Magazine)")
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Man and nature: the art of Winslow Homer. (painter)
USA Today (Magazine)
; WINSLOW HOMER first received critical recognition for his insightful portrayal of the Civil War. Nationally acclaimed as an illustrator and painter by the age of 30, he began to work regularly in watercolor as well as oil in the early 1870s, creating classic images of American life. Later in his
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; WINSLOW HOMER first received critical recognition for his insightful portrayal of the Civil War. Nationally acclaimed an illustrator and painter by age of 30, he began to work regularly in watercolor as well as oil in the early 1870s, creating classic images of American life. Later in his career,
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Painting nature on the wing.(Winslow Homer)(Cover Story)
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; The Sun, will not rise, or set, without my notice, and thanks, wrote Winslow Homer to his brother Charles, putting into words what drove his art (1). All his life, the artist noticed --not just the rising and setting sun from his home near the ocean at Prouts Neck, Maine, but everything around him:
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