Trisha Brown Company.(BAM Opera House, New York, New York, October 1-6, 1996) From: Dance Magazine | Date: January 1, 1997| Author: | COPYRIGHT 1997 Dance Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information) Copyright information

The Trisha Brown Company presented a premier of Brown's 'Twelve Ton Rose' followed by her 1995 dance 'M.O.' Other pieces in the BAM season were a duet by Mikhail Baryshnikov and Brown called 'You Can See Us' and the improvisational 'Long and Dream.'

In 1971, Trisha Brown made a dance: she performed a movement; repeated it; added another; went back to the first; the second; then added a third, and so on. History was made. Brown became the mother of accumulation and that dance, entitled Accumulation, her signature piece. When, last fall, BAM presented "Trisha Brown at 25: Post Modern and ...

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	Without a net Magazine article from: The Village Voice ; ...solos of the '60s and '70s to her latest group work, Twelve Ton Rose. From no accompaniment, or a barely audible hum, to...playing learned tag with Bach's. The season's premiere, Twelve Ton Rose, represents Brown's partnership with a very different...
	Cultivated form Magazine article from: The Village Voice ; ...waves from WNYC-FM. Now comes the world premiere of Twelve Ton Rose, with music by Anton Webern. (The title toys with...the piece. "I fell into a delicious discovery with Twelve Ton Rose" she says, "which is [cinematic] dissolves. I'm working...
	SPRINGDANCE.(Winkel Van Sinkel Utrecht, the Netherlands, April 1999)(Review)(Brief Article) Magazine article from: Dance Magazine ; ...Drumming for Rosas, her company of twelve dancers, to the same Reich composition...Canto/Pianto, M.O. (1995), and Twelve Ton Rose (1996), an interesting program...sophisticated. My favorite was Twelve Ton Rose, to music by Anton Webern, in...
	Meet the composer Magazine article from: The Village Voice ; ...stunning success, to compositions by Bach (M.O.), Webern (Twelve Ton Rose), and, most recently, Monteverdi (directing the 1607...immersed herself in baroque polyphony. At rehearsals for Twelve Ton Rose, Webern's score (12-tone rows, get it?) was always...
	VENTURING INTO THE SOUNDS OF DANCING Newspaper article from: The Record (Bergen County, NJ) ; ...Festival -- Tuesday night with the world premiere of "Twelve Ton Rose," set to chamber pieces by Anton Webern, hero of the...this week with a baroque ensemble. The music for "Twelve Ton Rose" will be performed by a string quartet and piano...
	Brown's 'Geometry' of emotion Newspaper article from: Chicago Sun-Times ; ...to an original score by jazz composer Dave Douglas. "Twelve Ton Rose," a 1996 work whose title is a play on "12-tone rows...and I have to confess, it drove me crazy." With "Ten Ton Rose," Brown tried to "paint on the canvas of Webern's music...
	DANCE CHOICE Newspaper article from: The Independent - London ; ...Chinatown jewel heist. TRISHA BROWN DANCE COMPANY Victoria Hall, Stoke (01782 213800) Mon; Blackpool Grand (01253 290190) Wed; Brighton Corn Exchange (01273 709709) Sat Catch this programme of jazz-inspired dances - plus the witty Twelve- Ton Rose. JG
	Belfast Festival: Home talent wins dancing laurels.(Features) Newspaper article from: The News Letter (Belfast, Northern Ireland) ; ...it rapidly became bogged down in the turgid pretentiousness of recounting a classic Greek myth. The final piece, Twelve Ton Rose, a little diversion in black and red, gave light relief, but was otherwise inconsequential. Maybe the money spent...
	Pioneer dance machine Newspaper article from: Evening Standard - London ; ...for Five Part Weather Invention and a mix of composition and free form for Rapture to Leon James. A third piece, Twelve Ton Rose, is austere and shapeless and set to a wispy Anton Webern score. She notes that the physical body is cumbersome compared...
	TRISHA BROWN -- AND ALL THAT JAZZ.(jazz dance)(Brief Article) Magazine article from: Dance Magazine ; ...before tackling Bach (in the 1995 M.O.) or mastered twelve-tone scales before she approached Webern (in the 1996 Twelve Ton Rose). You hear about the new methodology. She and her dancers are gleefully improvising to a percussion score; they are...

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