The Judgment of Paris. Artforum International | June 22, 1996| | COPYRIGHT 1996 Artforum International Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information) Copyright

Art historians are unfailingly instructive when they demonstrate how artists may rely on compositional devices that can be traced back into the mists of antiquity - to sarcophagi and ancient coins - and that inform entire histories of visual representation. A case in point is the arrangement of four figures - two largely undressed females, two fully clothed males - in Manet's Dejeuner sur l'herbe, a work often invoked as inaugurating the era of Modernism in art. As Hubert Damisch writes, it was already observed in 1863, when this scandalizing work was first exhibited, that "the ...

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