|
'Nine, Novena's novelty.
From:
The Review of Contemporary Fiction
| Date:
September 22, 1995| Author:
Andrade, Ana Luiza
| COPYRIGHT 1995 Review of Contemporary Fiction. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
|
The Brazilian writers' concern in the '70s was political consciouness expressed in journalistic style. Osman Lins, skeptical of the style, confronted instead the literary philistinism of the bestsellers, which he saw as an adverse cultural situation. He then focused on the writing process itself, presenting his esthetics in 'War Without Witnesses.' For him, the writer's struggle starts with the discourse between the writer and the world. His esthetics is transposed in his 'Nine, Novena.' Some...
Related newspaper, magazine, and journal articles from HighBeam Research
|
Photography: A Writer's Tool for Thinking, Rendering, and Revising.
Journal of College Reading and Learning
; This article draws on the complementary processes of writing and photography. A theory and method of instruction employing visual and metacognitive strategies are suggested to aid students in discovering unseen details and meaning when writing descriptive prose. In One Time, One Place, Eudora Welty
|
|
Teaching the writing process to students with LD.
Intervention in School & Clinic
; The complex process of writing poses many challenges for students with learning disabilities. Such students evidence basic writing skills and cognitive deficits and may be overwhelmed by the interdependency of the five accepted stages of the writing process (prewriting/planning, drafting, revising,
|
|
The journey out: conceptual mapping and writing process.
Academic Exchange Quarterly
; ... metaphors, and linking devices. These maps help to conceptually integrate the writing ... fragmented activity. Sharing of conceptual maps helps forge community in the classroom as students read and learn from each other's maps. Moreover, maps can serve as a unique form ...
|
|
GILLIAN ASHURST: WRITER FIRST AND FOREMOST
Metro : Media & Education Magazine
; Snakeskin is a very assured movie, a collision of stunning postcard scenery with NZ's now familiar 'cinema of unease'. Almost a genre in its own right, this 'flipside of that postcard' melds seamlessly with the road movie genre as if they were always meant to be bedfellows. In making Snakeskin, her
|
|
"It's got to be the most important thing we do.": Three first-grade teachers reflect on the writing process
New England Reading Association Journal
; All three of us came to the writing process while searching for answers about teaching reading. In 1983, Colleen was teaching first grade in a large, urban school district and desperately trying to figure out how to help the children who struggled with reading the mandated curriculum. In 2002,
|