|
Scranton composer Richard Wargo sees his dreams coming true.(Originated from Knight-Ridder Newspapers)
From:
Knight Ridder/Tribune News Service
| Date:
February 9, 1996| Author:
Webster, Daniel
| COPYRIGHT 1996 Knight-Ridder/Tribune News Service. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
|
PHILADELPHIA _ It almost seems natural for an opera composer to run an elevator to earn existence money. A composer's life, after all, is full of ups and downs.
The image is not lost on Richard Wargo, the Scranton composer who is suddenly riding the up car in Philadelphia. His ``Chekov Trilogy'' will be staged by the Academy of Vocal Arts Opera Theater beginning Friday, and he has just been named to develop a Brian Friel play, ``Lovers,'' for the Opera Company of Philadelph...
Related newspaper, magazine, and journal articles from HighBeam Research
|
Scranton composer Richard Wargo sees his dreams coming true.(Originated from Knight-Ridder Newspapers)
Knight Ridder/Tribune News Service
; PHILADELPHIA _ It almost seems natural for an opera composer to run an elevator to earn existence money. A composer's life, after all, is full of ups and downs. The image is not lost on Richard Wargo, the Scranton composer who is suddenly riding the up car in Philadelphia. His ``Chekov Trilogy''
|
|
BENEFIT PLANNED FOR OPERA COMPANY OF BOSTON
The Boston Globe
; Supporters of Sarah Caldwell and the Opera Company of Boston have organized a June 15 benefit performance of Verdi's "Requiem" to raise money for the beleaguered organization whose heavily publicized debts are said to approach $7 million. Soloists, orchestra and professional chorus members are
|
|
THE OPERA COMPANY MUST LEARN TO PLAN
The Boston Globe
; On Sunday, May 17, the Opera Company of Boston rang down the curtain on its 29th season. Jeanne Ommerle capped "Don Pasquale" with crystalline cascades of coloratura, and then, during the final curtain call, Sarah Caldwell signaled for champagne and a microphone. The artistic director said she
|
|
OPERA COMPANY ACTS TO SOLVE CRISIS
The Boston Globe
; The executive committee of the Opera Company of Boston last night emerged tight-lipped from a regularly scheduled meeting at which it appointed members to a newly formed management review committee, but reached no firm consensus on how to finance the season's two remaining performances, according
|
|
A STRUGGLE BACKSTAGE FOR OPERA COMPANY
The Boston Globe
; Sarah Caldwell, the principal force in Boston opera for more than three decades, faces a behind-the-scenes struggle for control of the Opera Company of Boston and its future. Next week, the Opera Company's executive committee will consider whether the financially troubled institution can continue
|