|
A sculpture, a column, and a painting: the tension between art and history.
From:
The Art Bulletin
| Date:
September 1, 1995| Author:
Cummins, Tom
| COPYRIGHT 1995 College Art Association. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
|
The relationship between art and history is not one of equality but tension. An art object, always confronted in the present, is an object of the past and it demands that the viewer deal with history at the very moment of confrontation. This, however, does not mean that art and history attain a cohesion, that the wreckage wrought by history is made whole again in the artwork. The materialist art historian's awareness of what was done in the past, how art presents that past and how viewers see...
Related newspaper, magazine, and journal articles from HighBeam Research
|
A sculpture, a column, and a painting: the tension between art and history.
The Art Bulletin
; I encounter nearly every day the instability of the equation Art > < History. Around the corner from where I work, I pass a Henry Moore sculpture standing at the center of a large square base of marble with deeply cut, radiating lines. Made of bronze, the smooth, rounded, abstract shape rises
|
|
Response: the dark side of art history.(Critical essay)
The Art Bulletin
; Covetous men, amongst others, are most mad; they have all the symptoms of melancholy--fear, sadness, suspicion, & cRobert Burton, The Anatomy of Melancholy (1) The art in the title of Michael Ann Holly's essay The Melancholic Art refers to art history, more specifically, to writing about art's
|
|
The art of art history.(Books)(Book Review)
New Criterion
; The modern sensibility recoils against the great man model of history: history as the account of decisive events, shaped by the autonomous actions of kings, princes, and generals. This is history as Shakespeare viewed it, where the great constants of legitimacy and succession perennially give rise
|
|
Hegel's Art History and the Critique of Modernity & Art of the Modern Age: Philosophy of Art from Kant to Heidegger. (Book Reviews).
The Art Bulletin
; BEAT WYSS Hegel's Art History and the Critique of Modernity Trans. Caroline Dobson Saltzwedel Cambridge: Cambridge University Press, 1999. 288 pp.; 66 b/w ills. $64.95 JEAN-MARIE SCHAEFFER Art of the Modern Age: Philosophy of Art from Kant to Heidegger Trans. Steven Rendall Princeton: Princeton
|
|
The great makers.(Art: A New History)(Book Review)
National Review
; Art: A New History, by Paul Johnson (HarperCollins, 792 pp., $39.95) EVERY sentient adult has his own favorite book by the English historian Paul Johnson. Some favor Intellectuals (1989), his devastating and often hilarious dissection of egghead hubris, pomposity, and malice. Others make a case for
|
|
On the histories of artifacts. (A Range of Critical Perspectives)(The Subject in/of Art History)
The Art Bulletin
; The subject of the history of art should include all human making. I will argue that primary concern with making raises the possibility of any number of histories of art, each pursuable in its own terms, but all comparable to one another as alternative kinds of making fitted to different social
|
|
Op/Art; History and Art, Steeling Each Other
The Washington Post
; Art and history, culture and history, must not be seen as separate. Dividers are imposed too often. We have the history of art over here, the history of science over there, the history of medicine, the history of music, with walls between - as if music isn't medicine. Plain history, too often,
|
|
Origins of the art history survey text.
Art Journal
; The universal and developmental presumptions of art history are nowhere better expressed than in the global survey text. More than any other genre within the discipline, the survey text embodies the nineteenth-century vision of history to unify the art of the past into a coherent and relevant story
|
|
A-Z of Degrees: History of art: Join the cultural evolution Our weekly series designed to help you pick the right course. This week: History of art
The Independent - London
; What do you come out with? BA. Why do it? Because you're interested in art or history or both and you know this degree has as much credibility in the jobs market as many other arts degrees. You think it will help you get a job as a museum curator - and it might. Or you fancy a job in a gallery.
|
|
The map of art history.
The Art Bulletin
; ... also are prosaic, commonplace, or literal. That literalness comes easily to art historians: we work daily with maps, plans, or diagrams. My inquiry extends that disciplinary routine to the visual and spatial aspects of art historical ... Thrift, as a fetish, a speculum, a bounded and purified re-presentation of mapper, ...
|