|
Circular definitions: configuring gender in Italian Renaissance festival.
From:
Renaissance Quarterly
| Date:
March 22, 1995| Author:
Shemek, Deanna
| COPYRIGHT 1995 Renaissance Society of America. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
|
A painting by Francesco del Cossa of a typical urban activity in Ferrara, Italy during the 15th century demonstrates the importance of public ritual in emphasizing the power relationships, legal structures and gender politics of the Renaissance era. The particular painting shows a race participated in by scantily-dressed women and men. The females were presumably prostitutes who joined such festivals voluntarily and whose role in the society of the period was acknowledged, although they were ...
Related newspaper, magazine, and journal articles from HighBeam Research
|
Women's voices, the early modern, and the civilization of the west.(Forum: Studying Early Modern Women)
Shakespeare Studies
; Is there such a field as Early Modern Women ? Absolutely. It is an interdisciplinary field of study comparable to that of the Renaissance, the Reformation, the Scientific Revolution, or the Enlightenment. All of these are interdisciplinary fields, involving professionals from traditional history,
|
|
Interpreting communities: private acts and public culture in early modern England.(Increase and Multiply: Governing Cultural Reproduction in Early Modern England)(Better a Shrew Than a Sheep: Women, Drama and the Culture of Jest in Early Modern England)(Common Bodies: Women, Touch, and Power in Seventeenth-Century England)(Individuals, Families, and Communities in Europe, 1200-1800: The Urban Foundations of Western Society)(Book Review)
Criticism
; ... Why; is it not arrived there yet, the news? A new foundation, sir, here i' the town ... she will be a stateswoman, know all the news: what was done at Salisbury, what at the ... literature in its broadest sense: the matter of news, pamphlets, and ballads. Yet the testimonies ...
|
|
Women in Early Modern England, 1550-1720.(Review)
History: Review of New Books
; Mendelson, Sara, and Patrica Crawford Women in Early Modern England, 1550-1720 Oxford: Clarendon 436 pp., $90.00, ISBN 0-1982-0124-9 Publication Date: October 1998 Sara Mendelson and Patrica Crawford's Women in Early Modern England is a marvelous achievement. Seeking to uncover the lived
|
|
Women, Religion and Education in Early Modern England.
Church History
; Women, Religion and Education in Early Modern England. By Kenneth Charlton. New York: Routledge, 1999. ix + 332 pp. $65.00 cloth. In an era when book titles tend toward the snazzy and uninformative, Kenneth Charlton is to be commended for providing one that exactly summarizes his book's contents.
|
|
Constructing a city of ladies. (the scholarly community for early modern women's studies)(Forum: Studying Early Modern Women)
Shakespeare Studies
; Early modern women writes searched for a tradition and a community. Theirs was not so much the anxiety of influence as the anxiety of absence, as I observed in 1985, an absence that I felt myself, as did many others working in this field (Silent 1). Our writing was often no more valued than that of
|
|
Pawns or Players? Studies on Medieval and Early Modern Women.(Book Review)
Church History
; Pawns or Players? Studies on Medieval and Early Modern Women. Edited by Christine Meek and Catherine Lawless. Studies on Medieval and Early Modern Women 3. Dublin: Four Courts, 2003. 224 pp. $30.00 paper. This rich volume includes eleven essays, selected papers from the conferences at Trinity
|
|
Pamela Allen Brown. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England.(Book Review)
Comparative Drama
; Pamela Allen Brown. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England. Ithaca: Cornell University Press, 2003. Pp. xi + 263. $49.95 casebound; $19.95 paperbound. The title of Pamela Allen Brown's well-researched and wittily written book comes from an early
|
|
Women, Death, and Literature in Post-Reformation England.(Death and the Early Modern Englishwoman)(Book Review)
CLIO
; Women, Death, and Literature in Post-Reformation England. By Patricia Phillippy. Cambridge: Cambridge University Press, 2002. xi + 311 pages. Death and the Early Modern Englishwoman. By Lucinda M. Becker. Aldershot, UK: Ashgate, 2003. ix + 226 pages. These two interesting books appeared
|
|
Creative Women in Medieval and Early Modern Italy: A Religious and Artistic Renaissance
The Catholic Historical Review
; Creative Women in Medieval and Early Modern Italy: A Religious and Artistic Renaissance. Edited by E. Ann Matter and John Coakley. (Philadelphia: University of Pennsylvania Press. 1994. Pp. xiv, 356. $36.95.) The fourteen essays gathered in this volume had their origin in a conference of 1991. They
|
|
Shakespeare's Domestic Economies: Gender and Property in Early Modern England.(Book Review)
Criticism
; Shakespeare's Domestic Economies: Gender and Property in Early Modern England, by Natasha Korda. Philadelphia: University of Pennsylvania Press, 2002. Pp. 288. $49.95 cloth. Shakespeare's stage--that infamously barren, wooden O--was perhaps a bit more cluttered than previously thought. In
|