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Les peintres du theatre (Gillot, Watteau).(ETUDES)(des illustrations de Claude Gillot et d'Antoine Watteau)(Critical essay)
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Platon voulait--on le sait--chasser les poetes de la Republique, car leurs imitations etaient a ses yeux doublement eloignees de la verite des idees. Celles-ci, deja degradees dans la realite, subissent--affirme-t-il--dans les epopees d'Homere et les drames des grands tragiques une nouvelle alteration, qui concourt a tromper encore davantage le lecteur ...
En oubliant l'idealisme platonicien, nous pouvons admettre que le theatre deforme forcement le reel qu'il represente, et que la peinture des scenes et des acteurs entraine une deformation supplementaire.
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The Self-Aware Image. An Insight into Early Modern Meta-Painting.(Review)
Magazine article from: Renaissance Quarterly
; ...begins with an extended reading of Pieter Aertsen's Christ in the House of Mary...sacred, and it is "a painting." Aertsen has recapitulated the theme of...over images - a controversy that Aertsen, who saw his paintings destroyed...
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Rhetoric-Rhetoriqueurs-Rederijkers.
Magazine article from: Renaissance Quarterly
; ...the allegories of Frans Floris and Pieter Bruegel the Elder, working in Antwerp...juxtaposition of near and distant in Pieter Aertsen's "Christ in the House of Martha...Falkenburg adds a matching discussion of Aertsen as a "Rhyparographer", that is...
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Re-imagining art and life: painting in the age of Rembrandt.(The Bader Collection)
Magazine article from: Queen's Quarterly
; ...freedom lay in Flanders, where Pieter Bruegel recast images of peasants...opulent tradition of artists like Pieter Aertsen and Jan Brueghel the Elder. In...1620s, the still life paintings of Pieter Claesz introduced a more casual...
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Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market.(Book review)
Magazine article from: Renaissance Quarterly
; ...All but one of these chapters end with a discussion of Pieter Bruegel the Elder, and the next two sections of the...is not an idle question. Whereas today we might call Pieter Aertsen's Meat Stall a hybrid image because, behind the butcher...
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The Secret History of Domesticity: Public, Private, and the Division of Knowledge.(Book review)
Magazine article from: Christianity and Literature
; ...seventeenth centuries, turning to Tintoretto, Vermeer, and Velazquez, as well as to several Dutch realists including Pieter Aertsen and Vincenzo Campi (whose rendition provides the book's cover art). McKeon ponders their details to argue that...
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