From: Notes | Date: September 1, 1994| Author: McCredie, Andrew D. | Copyright information

The flood-tide of new compositions by Mauricio Kagel, and the accompanying surge in publications both by the composer himself and a committed following of commentators continues unabated. In Kagel's scores and performances, so also in the stream of articulately supportive and, as a rule, critically affirmative literature, there is the dialectal grouping of topoi. Systematicism is juxtaposed by surprise and often intentional ambiguity. In any case, Kagel's evolution has always been on...