The mirror of modernity: Marinetti's early criticism between decadence and "renaissance latine": a "French" Poet in Italy: Marinetti and the Anthologie-Revue de France et d'Italie.(Filippo Tommaso Marinetti)(Critical essay) The Romanic Review | May 1, 2006| | COPYRIGHT 2006 Columbia University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information) Copyright

While the name of Filippo Tommaso Marinetti is indissolubly tied with futurism, the movement which he founded in 1909 and of which he remained the undisputed leader, theorist and impresario until his death in 1944, his pre-futurist poetic production in French has also been the object of a certain amount of critical attention since the beginning of the renaissance of futurist studies in the late 1960s. If Gaetano Mariani's Il primo Marinetti, published in 1970, still remains the fundamental monograph on the subject, more recently several scholars, Brunella Eruli, Giovanni ...

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