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Erwin Panofsky and the renascence of the Renaissance.
From:
Renaissance Quarterly
| Date:
June 22, 1994| Author:
| COPYRIGHT 1994 Renaissance Society of America. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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The German-born art historian Erwin Panofsky's interpretations of Renaissance art can be read as a projection of his idealized German self. Many German scholars of the era attempted to reinterpret art history in a manner that distanced their work from Nazi Germany. Panofsky, while living in America, was encouraged to develop theory in the German tradition, self-distanced from its American location but steeped in a culturally-biased viewpoint. For Panofsky, this cultural bias was his vision of an idealized, pre-Nazi Germany. The implications of Panofsky's work on later debates surrounding ...
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