The devious art of improvising, lesson two.(NOTES ON A STRANGE WORLD)(Column)

From: Skeptical Inquirer | Date: January 1, 2007| Author: Polidoro, Massimo | Copyright information

Harry Houdini, discussing fraud detection, once wrote in his book A Magician Among the Spirits that, "It is manifestly impossible to detect and duplicate all the feats attributed to fraudulent mediums who do not scruple at outraging propriety and even decency to gain their ends.... Again, many of the effects produced by them are impulsive, spasmodic, done on the spur of the moment, inspired or promoted by attending circumstances, and could not be duplicated by themselves."

<...

Related newspaper, magazine, and journal articles from HighBeam Research

Drawing room drama where nothing is at it seems
The Independent on Sunday ; Visual art Charles Darwent Space to Draw Jerwood Space London When bits of paper from Francis Bacon's studio were shown at the Barbican Gallery in 2001, there were squeals of rage from critics and art historians. Their problem lay less with the dubious way in which the bedoodled scraps had been
Instinct calls Artists take the concept of drawing and stretch it in different ways.(LIFE)
The Fresno Bee (Fresno, CA) ; Byline: Donald Munro The Fresno Bee Walk into Drawing on Instinct, Nanete Maki-Dearsan and Lynne Anderson's joint exhibition at Gallery 25, and you can feel -- this might sound inarticulate, but it somehow seems the best way to describe it -- something akin to a whoosh. It's as if there's a rush of
ART: Exhibit redefines nature of drawing.
The Boston Herald ; Contemporary drawing shows often stretch the notion of drawing, but few do it as eloquently as 'Drawing is another kind of language': Recent American Drawings From a New York Private Collection, at Harvard's Sackler Museum. It's not that the definition of drawing here is so elastic that works we
National Gallery unveils `A Century of Drawing'.(D)(Arts & Entertainment)(Art)
The Washington Times ; Byline: Joanna Shaw-Eagle Curator Andrew Robison points to the confrontational Woman's Head by Constantin Brancusi, which opens the exhibit A Century of Drawing: Works on Paper From Degas to LeWitt tomorrow at the National Gallery of Art. Now that's just drop-dead gorgeous, Mr. Robison says. As
Back to the drawing board
The Scotsman ; COUNTRY GRAMMAR, GALLERY OF MODERN ART, GLASGOW NOONDAY DEMONS, CCA, GLASGOW ROYAL GLASGOW INSTITUTE OF FINE ARTS ANNUAL SHOW, ROGER BILLCLIFFE FINE ART/KELLY GALLERY, GLASGOW DRAWING IS A very special thing. It is not simply another medium to be picked up or dropped by an artist at a whim. It
A century of drawing: an exhibition at the National Gallery of Art ...from the 20th century. (Museum Today).(Brief Article)
USA Today (Magazine) ; AN EXHIBITION at the National Gallery of Art, Washington, D.C., celebrates the extraordinary scope and quality of drawings made by artists in the 20th century. The 140 works on display range in style from the late Impressionism of Edgar Degas to the conceptual art of Sol LeWitt. The earliest
Pulling in the net. (New York).(Drawing Now: Eight Propositions)(Critical Essay)
Etc. Montreal ; ... propositions, for he will not see the light. The propositions themselves are not exactly groundbreaking. For example, it is not news that John Currin and Elizabeth Peyton are both influenced by fashion; that Barry McGee, Takashi Murakami, and Yoshitomo Nara ...
A century of drawing
USA Today ; MUSEUM TODAY An exhibition at the National Gallery of Art represents some of the most-aesthetically compelling and intellectually intriguing works from the 20th century. AN EXHIBITION at the National Gallery of Art, Washington, D.C., celebrates the extraordinary scone and quality of drawings made
MASTERCLASSES; DRAWING; Just pick up a pencil and start looking
The Independent - London ; I'M SITTING in the garden of the Chelsea Arts Club, sharing a glass or two (as Chelsea folk do) with my art teacher, Stan Smith. We're talking about the agonising self-consciousness of sketching in public, when the painter Dennis Gilbert joins us: "I've had the most humiliating experience," he
Carmen C. Bambach; Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300-1600. (Book Reviews).(Brief Article)
The Art Bulletin ; ... including, among other images, views taken in raking light, maps of seams between sheets of paper, enlargements of microscopic ... great exception to the technical evolution she so meticulously maps. For in Michelangelo's career, the trend from spolvero to calco ...