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Farce as reality: a 1930s vision of the future stuns Lindsey Collen with the shock of the new.(Charlie Chaplin's Modern Times )(Column)
New Internationalist
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November 1, 2006|
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COPYRIGHT 2006 New Internationalist Magazine. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.
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The film club that Ram and I are in, not at all a highbrow one, varies its choice of monthly film so that members get to watch and discuss newish films with a difference and also old classics. The old classics vary--from serious stuff like Fellini's Julietta of the Spirits that, incidentally, everybody loved, to the less serious. Which is how Charlie Chaplin's Modern Times came up. We thought it was going to show us 'modern times' way back then in 1936. And we thought it would still be very funny even if dated. Everyone loves the absurdity of this kind of slick farce.
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Debussy: Le Martyre de Saint Sebastien. (Michael Tilson Thomas, Leslie Caron, London Symphony Orchestra)
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Research: Humans prefer right ear over left.
News Wire article from: PPI - Pakistan Press International
; ...perform a task when we receive the request in our right ear. Dr Luca Tommasi and Daniele Marzoli from the University Gabriele dAnnunzio in Italy examined ear preference in communication between humans. Their research which included a series of three...
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Honegger: Le Roi David. (Jean-Claude Casadesus, Orchestre National de Lille)
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Faure: Piano Quartets Nos. 1 and 2. (Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma)
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Some Blues.
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Flip Phillips with Strings: Try a Little Tenderness.
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Of Kindred Souls.
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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Verdi: String Quartet in A Minor. (Juilliard String Quartet)
Magazine article from: National Review
; ...the young saint caught in pigment by Velazquez. The first form of this work was as incidental music for a play by Gabriele dannunzio, the bravura figure who confused womanizing with revolution and Mussolini with Caesar. As an oratorio of sorts...
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