Framing the Other: history and literary verisimilitude in E.M. Forster's 'The Hill of Devi.' From: Criticism | Date: March 22, 1994| Author: Roy, Ashish | COPYRIGHT 1994 Wayne State University Press. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group.Copyright information

E.M. Forster explores the colonial Other in 'The Hill of Devi' by breaking down the distinctions between Self and Other and questioning the accuracy of post-colonial links between literacy and history. The book allows readers to explore many different perspectives of India from Indians and British colonials while focusing on the contradictory pressures of patriotic duty and friendship. Forster isolates the Other from otherness and so loses the concrete distinctions of colonial discourse.

Related newspaper, magazine, and journal articles from HighBeam Research

	Framing the Other: history and literary verisimilitude in E.M. Forster's 'The Hill of Devi.' Criticism ; ... overefficient parody of the Oriental's prearranged relation to the Orient. Willy-nilly, the prospect of a wayward, unconquered East maps it as the site of continual access, possession. The refusal is indeed grand. This, a year prior to A Passage to India. But there ...
	Where Liberals Fear to Tread: E. M. Forster's Queer Internationalism and the Ethics of Care Novel ; ... Feuerbach." The Marx-Engels Reader. 2nd ed. Ed. Robert C. Tucker. New York: Norton, 1978. 143-46. Masterman, C. F. G. "Review, Daily News." Gardner 52-55. May, Brian. The Modernist as Pragmatist: E. M. Forster and the Fate of Liberalism. Columbia: U of Missouri P ...
	Transvaluing immaturity: reverse discourses of male homosexuality in E.M. Forster's posthumously published fiction. Criticism ; Dominant ideology often represents the male homosexual as psychically or somatically arrested, and some of the critical accounts of E. M. Forster's authorial career demonstrate that this stereotype powerfully inflects literary criticism as well: these readings represent texts of Forster which
	A different view of Forster ; He is famous for stories that feature clashes between class and culture. But, says ZAREER MASANI, there is another theme to one of his most famous works: his own, unrequited, homosexual passions The Independent - London ; ... I discovered that his sexuality was the key to his creative leap across racial and cultural borders. Three years ago, I saw a news item about an American buyer acquiring a collection of 130 unpublished and hitherto unseen letters written by Forster. I persuaded ...
	Ex-DP&L official says he relied on Forster's integrity Dayton Daily News ; ... even though Forster had provided that information to directors and it has been reported several times in the Dayton Daily News since 2002. He said neither he nor other directors raised any questions about conflicts of interest when a KKR representative ...
	OSCAR hopefuls At 56, "overnight success" Forster gets his due The Milwaukee Journal Sentinel ; ... opposite Elizabeth Taylor and Marlon Brando in John Huston's "Reflections In A Golden Eye." Three years later, he played the TV news cameraman in Haskell Wexler's "Medium Cool," filmed at the 1968 Democratic National Convention in Chicago. Success eluded Forster ...
	Images of a networked society: E.M. Forster's "The Machine Stops." Studies in Short Fiction ; It is a commonplace that we are in the midst of a computer revolution that will change our society perhaps more radically than the Industrial Revolution, and likewise a commonplace that the literary imagination has often gone before us in envisioning not only the shape but the possible significance
	Obituary: Tim Forster The Independent - London ; IF HIS renowned pessimism had somehow rubbed off on his horses, it is highly unlikely that the trainer Tim Forster would have won the lowliest selling hurdle, let alone three Grand Nationals. Forster's affectionate but gloomy outlook was probably best summed up by his instructions to the American
	Shepherds in the parlor: Forster's apostles, pagans, and native sons Novel ; E.M. Forster's role in the transmission of literary culture as a modernist, indeed as Cambridge's only modernist novelist of repute, has been long tempered by critical judgments that have made cultural belonging the central issue of his metier. Contemporaries and critics alike have consistently
	"Whose books once influenced mine": the relationship between E.M. Forster's 'Howards End' and Virginia Woolf's 'The Waves.'. Twentieth Century Literature ; In a letter to Ethel Smyth on 21 Sept. 1930, Virginia Woolf spoke of her friend Morgan Forster as E. M. Forster the novelist, whose books once influenced mine, and are very good, I think, though impeded, shrivelled and immature (Letters 4: 218). In earlier letters Woolf had often alluded to

See all results.