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It is an axiom of the theater that the people on stage often are not half as fascinating as those who put them there. Harold Clurman--director, producer, author, and critic--unquestionably was one of those to whom this most emphatically applies.

Clurman was one of the driving forces--along with Lee Strasberg and Cheryl Crawford--behind the Group Theatre, which stunned audiences from the Depression to World War II with realistic, socially relevant dramas that never had been seen on the American stage. The roster of those who ...

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