Shocking, convulsive, and enigmatic, Adrienne Kennedy's intense, one-act, surrealist psychodramas of the 1960s continue to hold a cult-like fascination among connoisseurs of American experimental theater. Kennedy's works have been performed both in the U.S. and abroad at theaters such as the Petit Odeon in Paris, London's Royal Court Theatre, and the San Saba Theatre in Rome, and have been translated into Spanish, French, Danish, and Portuguese. Acclaimed by directors, producers, and ...