The modern artist as historian, courtier, and saint: typology and art history from Vasari to Pound.(Ezra Pound, Giorgio Vasari)(Critical essay) From: CLIO | Date: March 22, 2006| Author: Hinojosa, Lynne Walhout | COPYRIGHT 2006 Indiana University, Purdue University of Fort Wayne. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group.Copyright information

Since the 1980s, a central problem has generated much debate among scholars of twentieth-century literature: how to reconcile the poetic and aesthetic innovations of W. B. Yeats, Ezra Pound, and T. S. Eliot (among other "modernists"), with the controversial political and economic views such writers espoused in the first half of the twentieth century. Pound's blatant anti-Semitism and fascism as well as his affiliations with Mussolini make him the paradigmatic enigma in such debates...

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