Damien Hirst. (Regen Projects, Los Angeles, California) Artforum International | October 1, 1993| | COPYRIGHT 1993 Artforum International Magazine, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information) Copyright

Damien Hirst keeps turning out variations on his grisly menagerie, extrapolating on the idea of death-as-sculpture with a parade of preserved sharks, lambs, cows, and their various body parts. Some of this work is spectacularly morbid: imagine Haim Steinbach and Jeffrey Dahmer collaborating on site-specific pieces for a municipal zoo. But Hirst is ultimately concerned less with instilling horror than with probing what remains of our capacity to be shocked. Tracing a circuit of denial and sham, his work performs a metaphysical autopsy on the corpse of visceral experience.

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