Introduction: Pope on the margins and in the center.(Critical essay)

From: Studies in the Literary Imagination | Date: March 22, 2005| Author: Gregori, Flavio | Copyright information

My sole Ambition o'er myself to reign.

([James Miller?], Are these Things So?)

But why then publish?

(Epistle to Dr Arbuthnot)

I. POPE'S PARADOXICAL CENTRALITY

Pope held a singular position in the social, political, and cultural spheres of his age. He was in many ways an outsider and a parvenu, Pat Rogers and other scholars remark, (1) as a cripple, as a Roman Catholic, a member of an illegal religion, and as (perhaps) a cryp...

Related newspaper, magazine, and journal articles from HighBeam Research

Introduction: Pope on the margins and in the center.(Critical essay)
Studies in the Literary Imagination ; My sole Ambition o'er myself to reign. ([James Miller Are these Things So?) But why then publish? (Epistle to Dr Arbuthnot) I. POPE'S PARADOXICAL CENTRALITY Pope held a singular position in the social, political, and cultural spheres of his age. He was in many ways an outsider and a parvenu, Pat
Defining self and others: Pope and Eighteenth-century gender ideology.
Criticism ; ... condition that she remain unmarried for at least six years.(27) Pope was subsequently quick to respond with moral outrage to news of her affair with a married man: that is, when her rakishness was no longer available to fulfill a role in his own self-titillating ...
The mercantile bard: commerce and conflict in Pope.
Studies in the Literary Imagination ; During an anecdotal aside in Joseph Warton's Essay on the Writings and Genius of Pope, Dryden is referred to as the mercantile bard for increasing by a guinea his fee for a prologue (260). The label more fittingly attaches to Warton's main subject. It is still reasonable to think of Pope as the
"So easy to be lost": poet and self in Pope's 'The Temple of Fame.' (Alexander Pope)
Papers on Language & Literature ; When Pope sent Martha Blount a copy of The Temple of Fame, the accompanying letter contained these remarks about fame: Whatever some may think, Fame is a thing I am much less covetous of, than your Friendship; for that I hope will last all my life, the other I cannot answer for . . . . Now that I
Pope's recusancy.(Critical essay)
Studies in the Literary Imagination ; I That Alexander Pope was, throughout his life, a Roman Catholic in a militantly Protestant England is well known: Maynard Mack's standard biography offers substantial documentation of Pope's religion, from his upbringing in a devout Catholic family to his refusal of the considerable social and
Living on the margin: Alexander Pope and the rural ideal.(Critical essay)
Studies in the Literary Imagination ; Alexander Pope's rural pronouncements have recently attracted negative criticism from two quite different perspectives. Malcolm Kelsall condemns Pope's hypocrisy in celebrating the virtues and taste of landowners who were almost indistinguishable, except that Pope approved their politics, from
"Pranks, unfit for naming": Pope, Curll, and the "satirical grotesque".
Eighteenth Century: Theory and Interpretation ; ... and more recent formulations, the coffee-houses have constituted the exemplary locations of the public sphere--cultural loci of news, opinion, and polite philosophical discourse. (15) Exploiting the idealized construction of the coffee-houses, Pope styled this ...
Alexander Pope; a life.
The Nation ; ALEXANDER POPE: A Life. Thirty-five years ago Maynard Mack wrote an introduction to Pope ( a great poet because ) in the Pope volume of Twentieth Century Views, a series of which Mack is general editor. In 1969, having become Sterling Professor--the climax to an academic career at Yale which began
Pope and the Paradoxical centrality of the Satirist.(Critical essay)
Studies in the Literary Imagination ; No one in his own period was in any doubt that Pope was the greatest poet of his age. Even his many enemies did not seriously contest this, and Pope himself, with his healthy sense of his own genius and of his moral, poetic, and cultural centrality, obviously had no doubt about the matter. He was
Alien voices, ancient echoes: Bakhtin, dialogism, and Pope's 'Essay on Criticism.' (Mikhail Bakhtin, Alexander Pope)
Papers on Language & Literature ; Ajexander Pope's Essay on Criticism, first published in 1711, constituted a young poet's bold first foray into an often-acrimonious critical environment, a learned world, Pope later wrote, that threatened authors with such a dangerous fate that they must have the constancy of a martyr (Twick. 61)