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Thomas Eggerer at Friedrich Petzel.(New York)
Art in America
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January 1, 2005|
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For his first solo exhibition in New York (after several in Los Angeles, where he works, and in his native Germany), Thomas Eggerer showed both small and fairly large paintings, drawings and collages characterized by transparent and contradictory gestures of representation and abstraction. They might be mistaken for an amateur Photo-Realist's composition studies, if they weren't so bold. Pencil lines, looking casually transposed from photo-projections, are visible under thin gestural washes of straight-from-the-tube acrylic color, alongside more earnest tonal rendering in ...
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