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"In the Sinai of knowledge": narrating the old/new Jewish nation in Shulamith Hareven's thirst. The desert trilogy.(Critical Essay)
From:
College Literature
| Date:
January 1, 2004| Author:
Omer-Sherman, Ranen
| COPYRIGHT 2004 West Chester University. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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The tension between divine law, the law of nature, the law of the state and the law of the individual (conscience) is of course an enduring one in world literature since at least the moment that Sophocles's Antigone first eruped on stage. With increasing emphasis, Israeli literature has evolved as a counter-narrative corpus focused on the plight of the individual, caught between a dream of justice and the often draconian consequences of state law. In Shulamith Hareven's Thirst: The...
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"In the Sinai of knowledge": narrating the old/new Jewish nation in Shulamith Hareven's thirst. The desert trilogy.(Critical Essay)
College Literature
; The tension between divine law, the law of nature, the law of the state and the law of the individual (conscience) is of course an enduring one in world literature since at least the moment that Sophocles's Antigone first eruped on stage. With increasing emphasis, Israeli literature has evolved as
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Our primary myth of violence: Shulamith Hareven's peace politics.(Obituary)
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; Editor's Note: Art between Peace and War, a tribute to Israeli author and peace activist Shulamith Hareven (1930-2003), took place at New York University on November 17th 2004, under the auspices of the Taub Center for Israel Studies at NYU, the Department of Cultural Affairs at the Israeli
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A Familiar Source
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Shulamith Hareven's The Miracle Hater: a feminist novel?(Book Review)
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; It is violence within that protects us from violence without. It is the imagination pressing back against the pressure of reality. It seems, in the last analysis, to have something to do with our self-preservation; and that, no doubt, is why the expression of it, the sound of its words, helps us
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