COVER STORY: ONE EYE ON THE PRIZE; WITH HER CAREER IN THE DOLDRUMS, DARYL HANNAH RELISHED HER ROLE IN KILL BILL.(Features) From: The Mirror (London, England) | Date: October 10, 2003 | COPYRIGHT 2003 MGN LTD. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group.Copyright information

Byline: DAVID MATTHEWS

She is best remembered as the blonde mermaid Madison who captured Tom Hanks's heart in the 1984 hit Splash. Along with her role as Pris in Blade Runner, it made Daryl Hannah one of the most famous actresses of the '80s. In recent years, though, she's practically disappeared off the radar until being cast in Quentin Tarantino's new film, Kill Bill.

The maverick director has a knack for reviving faded careers, having worked the trick for ...

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	Devil or Angel?; Quentin Tarantino's `Kill Bill' is both good and bad.(Arts and Lifestyle) The Boston Herald ; Byline: Jim Verniere Kill Bill - Vol. 1. Rated R. At AMC Fenway, Loews Boston Common and suburban theaters. Two and one-half (out of four) As if the question needed answering, the long-anticipated Kill Bill - Vol. 1 answers the query: What if Quentin Tarantino directed a Charlie's Angels movie? Of
	`Kill Bill' has style in abundance, but nothing much to say.(Knight Ridder Newspapers) Knight Ridder/Tribune News Service ; Byline: Rene Rodriguez Quentin Tarantino's Kill Bill: Vol. 1 has already been called the most violent American movie ever made, which isn't entirely accurate. A truer description would be to call it the most gleefully violent Hollywood movie ever made, although the carnage is strangely, perversely
	`Kill Bill' has style in abundance, but nothing much to say. The Miami Herald (via Knight-Ridder/Tribune News Service) ; Byline: Rene Rodriguez Quentin Tarantino's Kill Bill: Vol. 1 has already been called the most violent American movie ever made, which isn't entirely accurate. A truer description would be to call it the most gleefully violent Hollywood movie ever made, although the carnage is strangely, perversely
	'Kill Bill' spins a reel excess story, Tarantino's return to the big screen dripping with pulp Charleston Daily Mail ; LOS ANGELES - Beheadings. Maimings. Sliced hamstrings. A lopped- off skull exposing brains. Blood spurting from severed necks and arms like Vegas' Bellagio fountain. Quentin Tarantino's six-year hiatus has culminated in an eruption of bloodletting called "Kill Bill - Vol. 1," starring Uma Thurman
	DIRECTOR'S CUT SURE IT'S GORY, BUT QUENTIN TARANTINO'S `KILL BILL' IS GRIPPING POP ART The Boston Globe ; The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, "Kill Bill" ends. Anyone breathless to learn how the Bride (Uma Thurman) does, indeed, kill Bill, her

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