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Genre and closure in the seven versions of Invasion of the Body Snatchers: Finney ('54, '55, '78), Siegel ('56, '56), Kaufman ('78), and Ferrara ('93).(Critical Essay)
From:
West Virginia University Philological Papers
| Date:
September 22, 2002| Author:
Shelton, Robert
| COPYRIGHT 2002 West Virginia University, Department of Foreign Languages. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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Broadly approached, the concept of genre--especially for film and most especially for Hollywood movies--raises questions located in the pull between repetition and variation, and it functions primarily for the containment of difference. Whether viewed from a taxonomic, ideological, semantic, or syntactical perspective, genre films, as Barry Keith Grant cleanly puts it, "tell familiar stories with familiar characters in familiar situations." (1) Furthermore, genre theory raises ques...
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Genre and closure in the seven versions of Invasion of the Body Snatchers: Finney ('54, '55, '78), Siegel ('56, '56), Kaufman ('78), and Ferrara ('93).(Critical Essay)
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