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"A poet never sees a ghost": photography and trance in Tennyson's Enoch Arden and Julia Margaret Cameron's photography.(Critical Essay)
From:
Victorian Poetry
| Date:
March 22, 2003| Author:
Chapman, Alison
| COPYRIGHT 2003 West Virginia University Press, University of West Virginia. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group.Copyright information
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TENNYSON'S VOLUME ENOGH ARDEN AND OTHER POEMS (1864), INITIALLY advertised as Idylls of the Hearth, was a publishing sensation, selling 17,000 copies on the day of publication and 60,000 before the year's end. (1) Nevertheless, little recent critical attention has been paid to the idyll that gives the volume its title. (2) Furthermore, while recent commentators have explored Julia Margaret Cameron's illustrations to many of Tennyson's poems, in particular Idylls of the King, her th...
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